ThestoryopensinBalochistan,inasmall,scarcely‘wired’villageborderingIranandAfghanistan.Ahmadisanidealisticteacherinexile,educatingthelocalcommunity;hispartnerHaseeba,however,hasspenttimeinjailinTehranfortheverysameoffenceagainsttheState.Thedisaccordbetweenthemisnotonlysocialbutalsopersonal.Ahmad’sdestinycollideswiththatofafamilyfleeingtheTaliban;soontheintricatedivisionsofageandgenderwithinthatgroupwilltriggerotherproblemsandentanglements–includinga’loversontherun’intriguethatfleetinglyrecallsMurnau’sclassicTabu(1931).Acrossallthearresting,shiftingperipeteiaofitsplot,AbbasAmini’sfilmdeftlydramatisesthecomplicatedquestionofcommitment:dowecommitourselvestoapoliticalcause,asetofreligiousbeliefs,oraperson?Andhowdowenegotiatethecommitmentsofothers,eventhoseclosesttous,whentheyarebasedonaverydifferentvaluesystem?Withitssparsemusicscore,denselynaturalisticactingandunostentatiouscamerawork,EndlessBordersisalmostaminimalisticsuspensethriller(withHitchcockianovertones),combinedwithaheatedfamilymelodrama–butitneverlosessightoftheseriousandextremelytimelyissuesthatitraises.源自：https://iffr.com/en/iffr/2023/films/endless-border家庭片拿捏很难，代际，同辈，激情，利益，各类元素织成一个网，紧紧网住糊口正在一同的一群人。东亚家庭的那种禁止，隐忍，以及复纯幽微的情绪表达，正在客厅，正在会堂，正在饭桌.....好像不用对话，心照不宣的眼神暗示都能读懂彼此，如此默契又如此拧巴，就像母亲末于正在前夫死后教着放下，有那种转变，真的不简单，很多人都是恨一辈子，抱怨一辈子，正在糊口中误读一辈子。