恰到好处的表演和耐人觅味的台词给那部影片删加了更多韵味。Vanessa Kirby正在剧中太美了，低沉沙哑的嗓音，自由自力的魂灵，成死中又带有一丝俏皮，正在上世纪父权时期对峙控制欲极强的丈夫时正在懦强的力气下凸现出的固执死命力……那撩人的性张力，谁看后不道一句“姐姐我可以” Just two weeks before Roya, a banned Iranian journalist, is set to emigrate from Iran to Denmark at her husband’s insistence, she encounters a quiet young girl. The girl seems lost and doesn’t remember anything. Roya takes her in, unaware that the girl has abandoned her previous life and now has come to replace Roya. A couple of days later, Roya finds out that she will be prohibited from leaving Iran unless she sells out a colleague to the government authorities. Soon after Roya refuses to betray her friend, the young girl steals Roya’s identity and takes over her life with the assistance of Roya’s husband, Babak. As Roya fights to recover her identity, she realises, to her surprise, that no one remembers her anymore and that everybody takes the lost girl to be her. Babak throws Roya out of the house, at which point the authorities decide that Roya is to be exiled to another life as a passive housewife named Hanieh.
